One Language Project – Zurich

Joy - with her toys in Zurich

Joy – with her toys in Zurich

The One Language Project European Edition is now in progress! Today’s adventures started in Zurich, Switzerland – one of the most beautiful cities I have ever visited. My goal was to find a few farmers to interview over the next few days about their cows, and I was working on a few leads thankfully prepared for me by a local landscape architect who will be traveling with me to the countryside on Friday.

My first stop was the Landes museum which was conveniently hosting an exhibit called Animali – animals used to inspire the imagination throughout the ages. The exhibit focused on the mythology of animals and the way humans have woven human longings, characteristics and physiology with other animals to create the unicorn, the griffin, the dragon, the satyr and mermaids. The video installation was the most compelling, with five large screens seamlessly projecting across the entire side wall of the exhibit with German-sounding mysterious electronica underlying the slow undulations of the various animals against timelapse clouds, milky waters and tree-filled glens. All desaturated colors and focusing on the animals that had become hybrids over the past centuries – the lion, the eagle, the deer, the stag, the snake, the horse.

exhibit photo

To watch the video about the exhibit http://www.art-tv.ch/9849-0-Landesmuseum-Zuerich-Animali.html

After coming out of my near hypnosis from the video installation, I retrieved my precious bag of camera equipment at security and went back to my mission. Cows! En route, I decided to add a couple of dog portraits and their stories, since they all fall under the One Language Project, and how could I resist?

Joy’s story was told to me by her owner Ursula, who runs a beautiful boutique in the old part of Zurich. Here is what she told me:

I got her as a puppy eleven years ago from a farm. She was a mix. She is absolutely crazy about men. She goes to them as if she is in heat. Children love her and she loves them. What touches me most about her is her sensitivity. I could put glasses on the floor and she would carefully walk around them. She’s very careful with everybody, especially babies. You know, she’s a Pisces; she feels a lot. I like that she is still playful, even at eleven years old. She has her toys and they help when she rides in the car. She’s so easygoing. It won’t be easy when she goes.

Joy's Squirrel

Joy’s Squirrel

Joy, eleven years old

Joy, eleven years old

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zurichdogs_(5_of_9)I strolled along the cobblestone streets in the sun, admiring the beauty of the storefronts and the beauty of a walking city without cars everywhere. I love the cafe culture of people being accessible, sitting still, talking, enjoying the view, the sound of birds instead of cars.

I looked down a long street towards the sun-filled waterfront and saw a black dog lying in the middle of the street. I wandered down and started talking to the owner about her dog. This is what she told me about Santos:

Santos is 4 years old and I’ve had him since he was 8 weeks. He is the third black labrador I’ve had. He’s not castrated and isn’t in the slight bit aggressive. No troubles with anyone. He loves children, especially when they are running and playing. Every day we go in the forest for walks. We have our places.

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Today’s Inspiration for Remarks at Exhibit Opening

design and photos: Miranda Loud

design and photos: Miranda Loud

The One Language Project exhibit of my dog portraits with essays by the owners opens officially today at Mass. General Hospital’s Yawkey Clinic as part of the Illuminations program at the hospital. I was told that I could make a few remarks along with the other artists during the reception and, although I think art should speak for itself, I delved for more inspiration into my treasure-trove of Naturestage books on animals, the environment, eco art, poetry and mind shift. The first page I found in David Abram‘s book, Becoming Animal: An Earthly Cosmology, was about our kinship with other species as Darwin had discovered and cultures long before ours knew intrinsically.

I found the passage that I thought would be worth sharing on the next page:

He writes…

Despite all our giddy technological dreams, this vast and inscrutable land–drenched by the rains and parched by the summer sun–remains the ultimate ground, and the final horizon of all our science. It is not primarily a set of mechanisms waiting to be figured out, this breathing land. It is not a stock of resources waiting to be utilized by us, or a storehouse of raw materials waiting to be developed. It is not an object.

It is, rather, the very body of wonder–a shuddering field of intelligence in whose round life we participate. And if, today, this dreaming land has been forgotten behind a clutch of flowing screens that intercept the fascination of our focused eyes–if it has been eclipsed by styles of speaking that deaden our sense, and by machinic modes of activity that stifle the eros between our body and the leafing forests–then it is time to listen, underneath all these words, for the animal stirrings that move within our limbs and our swelling torsos. It is time to unplug our gaze from the humming screen, walking out of the house to blink under the river of stars. There are new stories waiting in the cool grasses and new songs.

To reconnect with our kinship with other species and to find a compassion, humility, eradication of loneliness, and an inspiration for harmony and balance is the goal of this ongoing project of gathering animal portraits and stories of interspecies connection.

I only went out for a walk, and finally concluded to stay out till sundown, for going out, I found, was really going in. 

John Muir

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A synopsis of PBS’s Battle for the Elephants

Taken in the Ngorongoro crater, Tanzania

Taken in the Ngorongoro crater, Tanzania (Photo credit: Wikipedia)

Tonight I watched the excellent and thought-provoking program featuring journalists Bryan Christy and Aidan Hartley and produced by J.J. Kelley for PBS. As an activist for elephants I was very interested in how the message of elephant poaching would be conveyed to a general audience. Here are some of main points that struck me:

805 of Chinese middle class owns ivory and China does not have a history of valuing the elephant as a live animal. The art of ivory carving has been flourishing in China for over 2,000 years and has become a perverted symbol of Buddhism as many of the elephant tusks are turned into buddhist icons in factories set up by the Chinese government.

The program followed Hartley as he traveled in Africa, mainly in Tanzania, to investigate the ivory trade on the ground with Christy who was stationed in China investigating the demand at the high end ivory shops which often sell pieces worth over one million dollars.

In 1800 there were 26 million elephants in Africa. The early 1900′s led to a large demand for ivory, not only for piano keys and pool and billiard balls and combs but as a symbol of manliness when wealthy men went on safari and killed an elephant. By 1979 there were only 1.3 million elephants left. By 1989 there were only 600,000.

Richard Leakey convinced Kenya’s president at that time to publicly burn the accumulated ivory which then evaporated the demand. With little killing over ten years the elephants rebounded to 1 million but decisions in 1999 and 2008 with CITES allowed two sales of stockpiled ivory. These sanctioned a legal trade in the tusks and has made a cover for all sales of ivory where sellers can claim that their ivory was legally acquired.

Only 16 percent of the ivory shown in China is legal.

The program spent a short segment detailing the wondrous qualities of elephants – that they mourn their dead, that they have rich social lives and communicate through their feet with subsonic sound. They showed elephants fondling the bones of fallen family members.

The program delved into the corruption with high level diplomats who apparently purchase ivory (Rhino horn and elephant tusks) from traders and take it back to China on diplomatic planes that are above being searched.

One of the most poignant moments was an interview with a man in China who owns a huge collection of ivory sculptures. When asked how he felt about the elephants he replied that he believed that the elephant smiled and gladly gave its tusks in the service of Buddhism. An example of the willful blindness that people have to justify their actions in spite of clear evidence of the cruelty and suffering behind them. Brian Christy looked at the camera and said “The elephants are not smiling.”

Ivory seized in Cameroon

There were some examples of positive efforts which nevertheless can’t withstand the rising demand for ivory and the illegal encroachments with helicopters and machine guns that have decimated elephant populations in other so-called protected areas. Most recently there were over 200 elephants in Cameroon gunned down in one day in 2012 which were in a protected area.

Hartley managed to convince a Tanzanian ambassador to allow cameras in to the largest stockpile of ivory in the world which houses over 50 million dollars worth of ivory. He suggests that Tanzania which is one of the poorest countries in Africa might be willing to burn its stockpile if someone was willing to donate that 50 million to help Tanzanians regain a financial foothold. The tension is ever present as Tanzania has asked for an exception to the ban from CITES which will be voting March 30-14 in Thailand which has been found to be a nexus for the illegal ivory trade.

The solutions

In a climate where both the black market price for ivory and its demand are so high, elephants’ lives are put at risk by the mere prospect of a sanctioned sale of ivory. If the poaching of elephants and ever growing trade in illegal ivory is to be seriously addressed, part of the solution to this complex problem must be a return to the full ban on the sale of ivory established in 1989.

The following is taken from www.bloodyivory.org/stop-the-ivory-trade

Other measures which must be taken with urgency include:

  • Address the involvement of international criminal syndicates by means of strong law enforcement at both national and international levels along the full extent of the supply – demand chain. The effectiveness of this measure should be judged not only by ivory seizures and arrests recorded but also by convictions with proportionate penalties and the disruption of the implicated trade networds.
  • Close down domestic (national) markets in ivory, to accompany the trade ban instituted by CITES.
  • Educate consumers in order to stem the demand for ivory. A survey in China found that almost 70% of the public thought ivory did not come from dead elephants but that it fell out naturally, like teeth.

The alternative to taking the bull by the horns? Some countries continue to report localised extinctions of small vulnerable elephant populations, a number of others edge closer to losing all their remaining elephants and the larger ‘safer’ populations start or continue their own downward spiral.

Read more and sign the petition to stop the ivory trade.

About Naturestage’s Elephant Project

We are seeking producers to help create a series of short films that will be geared for viewing by high school students around the globe that use short true stories about people and elephants to evoke emotional reactions and responses in various art forms. These would then be used by the students to start a dialogue about how to manage other species and to look at human nature as a way to start to solve what is the largest species extinction currently underway, not just for elephants but for myriad other species. The series would be a gateway to looking at ourselves as well as finding solutions that stem from a heart connection. You can read more about it on the naturestage website and at www.theelephantproject.com

Elephants Cry Too – Review in the Boston University Magazine The Quad

Elephants Cry Too

By  | Apr 25th, 2012

If you want to see an elephant, chances are you’ll end up at a circus or a zoo. However, if you want to truly see how elephants behave in the wild, you don’t need to search very hard. Elephants are quite similar to humans.

“Elephants, like us, cry in grief,” Miranda Loud, classical musician, documentary filmmaker, and founder of NatureStage (a non-profit arts organization for animals) said at her live, multimedia lecture Thursday night in the Kenmore Class Building.

The Elephant Project

Image courtesy of Miranda Loud

There’s no doubt that elephants are among the more intelligent species of the animal kingdom. They, like chimpanzees and dolphins, exhibit a wide variety of behaviors, including those associated with grief, learning, mimicry, art, play, humor, compassion, memory, and altruism.  It’s a shame that such complex creatures as elephants face extinction due to poaching.

Loud challenges the public to rethink sustainability and animal preservation to help protect elephants from hunters and other humans. Do we really want to be on a planet without these elephants? She humored listeners at the lecture with her question “Don’t all alphabet books have the letter E for elephant?”

The problem is not only poaching. Loud believes that elephants recognize captivity, danger, and exploitation. When an elephant is incarcerated, as in a zoo or circus, they are aware of their condition. Strangely enough, elephants also have to be taught to become elephants. The problem, then, is that elephants in captivity do not always pick up on vital elephant skills. For the most part, elephants that live in zoos live in unnatural environments, under physical and psychological conditions that are not quite the same as those in the wild.

Loud spoke of an elephant that gave birth in a zoo. The mother later suffocated the calf because she did not know how to take care of it. The elephant had no maternal intuition, a trait that is often passed down from other elephants.

Loud has plenty of sad stories about elephants, but that doesn’t mean that we are only left with tears. Empathy is what Loud wants us to understand. Throughout her lecture, she deftly transposed elephant emotion into human emotion.

However, the spark of the lecture came toward the end, when Loud introduced her new project, The Elephant Project. The Elephant Project is an art-based, transcontinental online curriculum for young children. It is essentially a viral platform for children around the world to share ideas about elephants and other animal species. It begins with twenty short films viewable online. Students can respond to the videos as homework either in an artistic or written form. Her hope is that the arts can help nurture children and adults to become more emotionally connected with elephants and other animal species.

The idea is pragmatic and smart. Instead of busily protesting, Loud is content on sharing her unrequited love for elephants with children. She is aiming at the heart.

 

If you are interested about elephants, animal preservation, or global awareness, you can reach Miranda Loud through either her NatureStage or personal website.

 

 


 

Filmmaking with Social Impact – strategies for funding and partnering

I was recently reading a blog post by one of my favorite filmmakers, Patrick Shen, who founded Transcendental Media. His post has links to other sites which socially-conscious-driven filmmakers would find incredibly useful. Instead of writing much today, I will simply pass you on to this informative and thought-provoking post

http://www.filmcourage.com/content/making-your-film-matter-introduction-social-action-campaigns

I followed a few of the links and found three others which Continue reading

An Ocean-side Conversation with Humane Educator Zoe Weil

Founder of the Institute for Humane Education, Zoe Weil

August. Blue Hill, Maine.

Little did I know that my quick trip to the Blue Hill library to do some emailing would lead me to one of my mentors in humane education, Zoe Weil. Two women were sitting at the study table and we started talking. One of them mentioned that there was a center for the sorts of things I was writing about just up the street in Surry and she knew the founder. I sent Zoe an email and two days later we were face to face, sitting on the rocky beach with the waves of Penobscot Bay rolling up to our toes and Zoe’s two dogs galloping over the boulders in search of sticks.

Zoe is full of energy and ideas, as one might expect from a ground-breaker in calling for humane education to be a cornerstone within our current education systems. Here is an overview of our hour-long conversation. Continue reading

Discovering animation with Julie Zammarchi

As part of the mission of NatureStage to blend performing arts and film with environmental issues, I decided to explore the world of animation with a class at MassArt this fall. So many times I wished I had a way to portray ideas with a short animation and use this multi-faceted style within documentary filmmaking. Here is my first animation attempt which is mainly a series of sketches. Looking forward to the next assignment…